rfmcdonald: (Default)

  • The Big Picture shares shocking photos of the Portuguese forest fires.

  • blogTO notes that, happily, Seaton Village's Fiesta Farms is apparently not at risk of being turned into a condo development site.

  • Centauri Dreams notes a new starship discussion group in Delft. Shades of the British Interplanetary Society and the Daedalus?

  • D-Brief considers a new theory explaining why different birds' eggs have different shapes.

  • The Frailest Thing's Michael Sacasas commits himself to a new regimen of blogging about technology and its imports. (There is a Patreon.)

  • Language Hat notes the current Turkish government's interest in purging Turkish of Western loanwords.

  • Language Log's Victor Mair sums up the evidence for the diffusion of Indo-European languages, and their speakers, into India.

  • The LRB Blog notes the Theresa May government's inability post-Grenfell to communicate with any sense of emotion.

  • Marginal Revolution's Tyler Cowen wonders if the alt-right more prominent in the Anglophone world because it is more prone to the appeal of the new.

  • Personal Reflections' Jim Belshaw wonders if Brexit will result in a stronger European Union and a weaker United Kingdom.

  • Seriously Science reports a study suggesting that shiny new headphones are not better than less flashy brands.

  • Torontoist reports on the anti-Muslim hate groups set to march in Toronto Pride.

  • Understanding Society considers the subject of critical realism in sociological analyses.

  • Window on Eurasia notes how Russia's call to promote Cyrillic across the former Soviet Union has gone badly in Armenia, with its own script.

rfmcdonald: (Default)


The Pet Shop Boys' 1996 song "Single-Bilingual" was not as big a hit as their iconic global singles of the 1980s. Perhaps it was because this song, like the rest of their album Bilingual, was a shift from their previous European-styled electronica, incorporating Latin rhythms. This is a shame, because this song and others are among the group's slyest.

The songs of the Pet Shop Boys, like those of all great songwriters, can say many things. See "Single-Bilingual". Listening to the peppy song, Neil Tennant singing in the voice of a self-styled cosmopolitan businessman who claims to be the master of his world, there is humour. As Wayne Studer points out, this man is not all he thinks he is. He's just a cog in the machine.

They call this a community
I like to think of it as home
Arriving at the airport
I am going it alone
Ordering a boarding pass
Travelling in business class
This is the name of the game
I'm single, bilingual
Single, bilingual


I find myself wondering, too, if this song fits on the soundtrack for Brexit. From a pretended cosmopolitanism down to an actual solitude?
rfmcdonald: (Default)

  • Apostrophen's 'Nathan Smith talks about "cis", "trans", and the non-obvious meaning of this classification.
  • The Big Picture shares photos of a recent sailing festival in Boston.

  • blogTO reports on the trendy charcoal-black ice cream of a store across from Trinity Bellwoods.
  • Centauri Dreams considers the idea of a "runaway fusion" drive.Crooked Timber wonders how a bad Brexit agreement could possibly be worse than no Brexit agreement for the United Kingdom.
  • D-Brief warns of the possibility of sustained life-threatening heat waves in the tropics with global warming.
  • The Everyday Sociology Blog considers how sociology majors are prepared, or not, for the workforce.

  • Language Hat links to a wonderful examination of the textual complexities of James Joyce's Ulysses.

  • The LRB Blog looks at how British big business is indebted to the Conservatives.

  • Marginal Revolution reports on China's emergent pop music machine.

  • Steve Munro reports on the latest on noise from the 514 Cherry streetcar.

  • The NYRB Daily has a fascinating exchange on consciousness and free will and where it all lies.
  • The Planetary Society Blog reports on a successful expedition to Argentina to examine Kuiper Belt object MU69 via occultation.

  • Peter Rukavina celebrates Charlottetown school crossing guard Dana Doyle.

rfmcdonald: (Default)

  • blogTO reported that York University plans on opening a satellite campus in York Region's Markham. This is a first.

  • Dangerous Minds notes a new, posthumous release from Suidide's Alan Vega.

  • The Dragon's Gaze links to a paper considering the detectability of Niven ringworlds around pulsars. (Maybe.)

  • The Everyday Sociology Blog considers burnout among sociology students, and suggests that engagement with issues is key to overcoming it.

  • The Great Grey Bridge's Philip Turner photoblogs his recent Rhode Island vacation.

  • Joe. My. God. reports on the arrest of a Christian activist protesting outside of the Pulse memorial in Orlando.

  • The LRB Blog shares considerable concern that the Democratic Unionists of Northern Ireland are now national powermakers.

  • Spacing Toronto shares the ambitious plan of Buenos Aires to make the city better for cyclists, pedestrians, and mass transit
  • Transit Toronto notes that starting Friday, Metrolinx will co-sponsor $C25 return tickets to Niagara from Toronto.

rfmcdonald: (Default)

  • Crooked Timber enthuses over the remixing, or remastering, of arguably the Beatles' most iconic album.

  • Far Outliers notes the Albanian language's alphabet struggles in the wider geopolitics of Albania.

  • Joe. My. God. notes an American soccer player opted to quit rather than to wear a Pride jersey.

  • Language Hat notes a new online atlas of Algonquian languages.

  • The NYRB Daily argues that Theresa May's election defeat makes the fantasy of a hard Brexit, at least, that much less possible.

  • Window on Eurasia notes Russia's concern at the dissipation of the prestige of its language and script its former empire, especially in Ukraine.

rfmcdonald: (Default)

  • Anthony Easton at MacLean's writes in defense of Nickelback, one of Canada's most popular bands if not a critical darling.

  • Also in MacLean's, Stephanie Carvin notes that the new foreign and military policies announced by the Canadian government could still fall short.

  • Bloomberg View's Stephen L. Carter considers the idea of the just war through the lens of Wonder Woman.

  • Nuclear energy, it seems, will be India's answer to global warming in the era of Trump.

  • Qataris, Bloomberg notes, are trying to deal with their island country's state of siege.

  • Airbus may pull its production plants from the United Kingdom unless the country keeps single market access.

  • Refugees, Lynne Olson notes at National Geographic, helped save the United Kingdom during the Second World War.

rfmcdonald: (Default)


I went with a friend to catch Wonder Woman yesterday, and I left impressed. This film caught my attention, with excellent plotting and filming and a star-making turn from Gal Gadot. I can easily believe it capable of supporting the future DC cinematic universe, though I hope it will not have to do so alone.

The song that played over the closing credit was Sia and Labrinth's "To Be Human". This song, all about the limits to love that we know in our world, was a good choice.
rfmcdonald: (Default)

  • Yahoo News shares the story of a cat that visited every national park in the United States, with photos.

  • CBC's Mike Crawley takes a look at the impact of the Ontario $15 minimum wage, finding it should have little effect on the economy at large.

  • In The Globe and Mail, Tony Keller suggests that Donald Trump's actions do a great job of promoting China as a responsible superpower.

  • CBC notes research suggesting that global warming will make the heat island effect in cities much worse.

  • It is easy, editor David Shribman of the Pittsburgh Post-Gazette writes in The Globe and Mail, to mistake Pittsburgh for Paris.

  • The Toronto Star notes Ariana Grande's surprise visit to her fans in hospital before tomorrow benefit concert.

  • The Atlantic reports on the problems of post-Communist gentrification in Moscow.

  • The Georgia Straight shares one Vancouver artist's goodbye to her adopted city, beloved but now too expensive.

rfmcdonald: (Default)

  • Centauri Dreams describes a new type of planet, the molten hot rubble cloud "synestia".

  • Far Outliers describes the Polish rebels exiled to Siberia in the 19th century.
  • Language Hat looks at words for porridge in Bantuphone Africa.

  • Language Log examines whistling as a precursor to human language.

  • The LRB considers the new normal of the terrorist state of emergency.

  • Marginal Revolution notes the weakness of the Indian labour market.

  • The Power and the Money's Noel Maurer tries to explain to Uruguayans how Donald Trump made his mistake on the budget.

  • Savage Minds remembers the late anthropologist of Polynesia and space colonization, Ben Finney.

  • Towleroad examines the rather depressing idea of a porn-dominated sexuality.

  • Understanding Society examines Hindu/Muslim tensions in India.

  • Window on Eurasia reports on the weakness of Belarus' opposition.

  • Arnold Zwicky talks about Arthur Laurents.

rfmcdonald: (Default)
Writing in the aftermath of the Manchester attack, The Guardian's Alexis Petridis writes about how his understanding of the pop music concert changed when he saw the impact that it had on his daughter. It points the young child to the possibility of an exciting adult future.

There was more to the magic than infectious enthusiasm. I have spent a not-insignificant proportion of my working life at pop gigs in arenas filled with kids and teenagers, usually in a state of mild bemusement. I have seen shows I thought were abysmal and shows I thought were impressively slick. I have seen artists treat their audience with something bordering on contempt (there is something incredibly galling about watching a singer who can’t even be bothered to pretend to mime) and artists who genuinely left me open-mouthed (Miley Cyrus, following her decision to abandon her squeaky-clean Disney image for something deliberately provocative). I could make an informed, objective critical judgment about them, but I never fully understood them, never really grasped what they were for, never really got what was going on in the audience, until I saw one through my daughter’s eyes.

It wasn’t just that she was overawed by the spectacle, although she was: stuff I took for granted – lasers, pyrotechnics, confetti cannons, all the usual bells and whistles of a big pop show – were a constant source of overwhelming sensory overload. Nor was it the way her lack of cynicism made me reconsider my own feelings, although that happened too. I have always been deeply suspicious of the kind of rhetoric that modern pop surrounds itself with: all that platitudinous “just be yourself”, “if you dream it you can do it” stuff. But my daughter took it all at face value and I ended up thinking: Well, there’s certainly worse messages you can send out to kids.

But mostly it was the way it gave her a first glimpse of a world that was previously outside her experience, a more adult, or at least more mature world than the one she knew, a world that would one day be her own, and how excited she was to see it, how – as she put it – grown-up it made her feel. She experienced something that transcended her pretty fickle and changeable musical allegiances. Jessie J has long been replaced in her affections – by, among others, Ariana Grande. The selfie she took that night is still on her bedroom wall. If that was true of a seven-year-old being chaperoned by her father, how much more true was it for the kids that were just old enough to be there without their parents, the ones who had relegated their mums and dads to waiting in the foyer or outside in the car?
rfmcdonald: (Default)
  • Metro Toronto's David Hains reports on a new interactive map of Trinity-Bellwoods Park designed to help users find other people in that large complex space.


  • You’ll never have to spend 20 minutes trying to find your friend in Trinity-Bellwoods Park again.

    New York-based cartographer (and former Toronto Star employee) William Davis loves Toronto, and so he knows this is one of the city’s great summer frustrations. It’s because of the geographically complicated, but very popular park, that he and Tom Weatherburn made an interactive map for Torontonians to share their location.

    All users need to do is drag and drop a “here” pin on a map of the park. It can be accessed for free at the MapTO website, a personal project with Weatherburn that features quirky and interesting maps on a variety of city subjects.

    The Trinity-Bellwoods map is overlaid with easy-to-read icons, including a dog at the dog bowl, a baseball at the baseball diamond, and beer mugs where people like to hang out.


  • The Toronto Star's Jennifer Pagliaro describes the catastrophic state of repair of far too many of the houses of Toronto Community Housing.


  • Half of Toronto Community Housing developments will be in “critical” condition in the next five years without additional funding for repairs, according to an internal database provided to the Star.

    Already, the data shows more than 30 social-housing properties are in serious disrepair. Of 364 developments — which include houses and groupings of low-rise buildings and towers — 222 developments are ranked in “poor” condition, with dozens edging on critical condition, based on a standard ranking used by the housing corporation.

    Those critical sites are homes for more than 3,000 individuals and families.

    The data shows a pervasive problem at a time when the city is grappling with how to keep thousands of units open with a $1.73-billion funding gap.

    Of the 364 developments, more than 100 were offloaded onto the city by the province more than a decade and a half ago without money needed to cover the repairs. Of the buildings in the critical and poor categories, more than a third were downloaded by the province.


  • Back in August, Yasmine Laarsroui wrote for Torontoist about the potential for the housing co-op model to help solve the Toronto housing crisis.


  • Those affected by the lack of rent controls left young professionals, like reporter Shannon Martin, with no option but to turn to more extreme alternatives, such as couch-surfing.

    Young people seeking more reliable housing options are turning to co-op housing—at least, those lucky enough to get a unit.

    Toronto renter Donald Robert moved into Cabbagetown’s Diane Frankling Co-operative Homes in September 2016 and speaks highly of his experience.

    Robert pays $1,300 for a large two-bedroom unit with access to an underground parking and a small gym, almost $500 cheaper than the average one-bedroom unit in Toronto. Robert explains that, “the best part though has been the community here. Everybody says ‘hi.’”


  • Also back in April, John Lorinc wrote in Spacing about the oft-overlooked musicality of the lost neighbourhood of The Ward.


  • If you try to imagine your way back into the early 20th century streets and laneways of The Ward — the dense immigrant enclave razed to make way for Toronto’s City Hall — you might pick up the sounds of newsies and peddlers hawking their wares, the clanging of the area’s junk and lumber yards, and shrieking children playing on the Elizabeth Street playground north of Dundas.

    Those streets would also reverberate day and night with a jumble of languages — Italian, Yiddish, Chinese. The dialects and accents of these newcomers were considered to be not only “foreign,” but also proof (to the keepers of Toronto’s Anglo-Saxon morality) of the area’s worrisome social and physical failings.

    But despite the fact that many mainstream Torontonians saw The Ward as an impoverished blight on the face of the city, the neighbourhood resonated with energy and culture and music — evidence of the resilience of the stigmatized newcomers who settled there in waves from the late 19th century onward.

    Photographers recorded fiddle players and organ grinders with their hurdy gurdies, playing as mesmerized children listened. After their shifts ended, one 1914 account noted, labourers whiled away their free times playing mandolins or concertinas as they sang rags and the Neapolitan songs so popular at the time.

    “When sleep in crowded rooms seems all but impossible,” journalist Emily Weaver observed in The Globe and Mail in 1910, “the people of ‘The Ward’ are astir till all hours, and the Italians amuse themselves by singing in their rich sweet voices the songs of their far-away homelands or dancing their native dances to the music of a mandolin or guitar in the open roadway beneath the stars.”


  • The Toronto Star's Azzura Lalani describes how the rapid growth of young families in Leslieville threatens to overload local schools. What will the Downtown Relief Line do?


  • As the mother of a 16-month-old boy, Michelle Usprech is looking to leave the Financial District where it’s just “suits and suits and suits,” for a more family friendly vibe, and she’s got her eye on Leslieville.

    But one of Toronto’s most family-friendly neighbourhoods may be a victim of its own success as signs from the Toronto District School Board have cropped up, warning parents in Leslieville their children may not be able to attend their local school because of possible overcrowding, school board spokesperson Ryan Bird confirmed.

    Those signs warn that “due to residential growth, sufficient accommodation may not be available for all students,” despite the school board making “every effort to accommodate students at local schools.”

    [. . .]

    It’s a concern for some parents, including Kerry Sharpe, who lives in Leslieville and has a four-month-old daughter named Eisla.

    “It’s still early days for me,” she said, but, “it is a concern. Even daycare, that’s hard to get into, so I don’t see it getting any better.”
    rfmcdonald: (Default)

    • Beyond the Beyond notes an image of a wooden model of Babbage's difference engine.

    • James Bow talks about the soundtrack he has made for his new book.

    • Centauri Dreams considers ways astronomers can detect photosynthesis on exoplanets and shares images of Fomalhaut's debris disk.

    • Crooked Timber looks at fidget spinners in the context of discrimination against people with disabilities.

    • D-Brief notes that Boyajian's Star began dimming over the weekend.

    • Far Outliers reports on a 1917 trip by zeppelin to German East Africa.

    • Lawyers, Guns and Money argues that there is good reason to be concerned about health issues for older presidential candidates.

    • The NYRB Daily reports on Hungary's official war against Central European University.

    • The Russian Demographics Blog notes the origins of modern immigration to Russia in internal Soviet migration.

    • Savage Minds shares an ethnographer's account of what it is like to look to see her people (the Sherpas of Nepal) described.

    • Strange Maps shares a map speculating as to what the world will look like when it is 4 degrees warmer.

    • The Volokh Conspiracy argues that the US Congress does not have authority over immigration.

    • Window on Eurasia suggests Russia's population will be concentrated around Moscow, compares Chechnya's position vis-à-vis Russia to Puerto Rico's versus the United States, and looks at new Ukrainian legislation against Russian churches and Russian social networks.

    • Yorkshire Ranter Alex Harrowell notes how Evelyn Waugh's writings on the Horn of Africa anticipate the "Friedman unit", the "a measurement of time defined as how long it will take until things are OK in Iraq".

    rfmcdonald: (Default)


    The CD single of Robert Miles' "Children" is one of the first singles I had ever bought, on (I think) one of my family's shopping daytrips to the mainland, to Moncton. There we could buy canned pop, or French-language books, or CD singles.
    rfmcdonald: (Default)
    A Eurythmics fan group on Facebook just reminded me that today, the 6th of April, is the 25th anniversary of the release of Annie Lennox's solo debut, Diva.

    Wow.



    Much of the video album, directed by long-time collaborator Sophie Muller who was also responsible for the exquisite 1986 Savage video album, is viewable here. I blogged about one track from Diva, "Little Bird", back in 2008. A lot of the tracks--"Why?", "Walking on Broken Glass", "Legend in my Living Room", all of them really--deserve extended commentaries of their own.

    What can I say about Diva but that this album is one of the highlights of the career of an artist who has been hugely influential in my life? Without seeing "No More I Love Yous" on MuchMusic back in 1995, I can imagine that I might have gone into the sciences rather than the arts. Lennox's music has been a constant throughout my life, with its art and its poise and its personality. My life is much the better for having had it.

    Thanks, Annie.
    rfmcdonald: (Default)

    • James Bow calls for an end to the US-Canada Safe Third Country agreement prohibiting people coming from American soil from claiming refugee status in Canada.

    • D-Brief reports on the vast array of man-made minerals appearing in what is now being called the Anthropocene Era of Earth.

    • Dangerous Minds notes the efforts of the Disco Preservation Society to preserve DJ mixes from 1980s San Francisco.

    • Language Log takes issue with Neil DeGrasse Tyson's argument that cryptographers, not linguists, would be needed in Arrival.

    • The LRB Blog notes impunity for murderers of civil society activists in Honduras.

    • Marginal Revolution's Tyler Cowen talks about Joyce Gladwell's autobiography Brown Face, Big Master.

    • The NYRB Daily celebrates the work of Hercules Segers.

    • The Planetary Society Blog is skeptical of the Space X plan to send tourists past the Moon by 2018.

    • Supernova Condensate lists 8 things we know about Proxima Centauri b.

    • Towleroad reports on new walking tours being offered of gay London.

    • Arnold Zwicky engages with a California exhibition comparing paintings with movies.

    rfmcdonald: (Default)
    Bloomberg's Lucas Shaw notes that although Spotify is not yet profitable, it has managed to accumulate quite a few subscribers. Will this be enough to let it last?

    Spotify has surpassed 50 million subscribers, extending its lead over rivals Apple Music, SoundCloud and Google as the world’s largest paid music streaming service.

    The service, owned by Stockholm-based Spotify Ltd., has been growing at a breakneck pace. The company said it had 30 million subscribers less than a year ago, and 40 million subscribers in September. Apple Inc., owner of the second-largest paid service, said last month its streaming service has more than 20 million customers.

    Adding paying customers will help Spotify pitch investors, who expect the company to file for an initial public offering and are looking for signs the company can convert its growing subscriber base into a sustainable business. Spotify, which is unprofitable, generates almost all of its sales from subscriptions, though the music service also has tens of millions of additional users who listen for free, supported by advertising.
    rfmcdonald: (Default)


    The Grimes song "Kill V. Maim" is one I've been playing a lot this week, with its video set partly in Toronto's abandoned Lower Bay Station and a threateningly manic song with a chorus--"Are you going to the party?/Are you going to the show?"--inspired by Godfather's Al Pacino and by Harley Quinn.

    Grimes, a.k.a. Claire Boucher, appears on the latest episode of the “Song Exploder” podcast, a must-listen for music fans who want to hear their fave artists talk about how they created their own songs. In it, Grimes breaks down her thrashing Art Angels cut “Kill V. Maim,” revealing the impetus of it was a friend who doubted her ability to be musically aggressive.

    “He kept doing these cute little plucky things, and I was like ‘No, no, let’s make a hard song.’ He was like ‘No, no, you make cute music.’ I was so horrified,” Grimes recalls. “So I went home after that sort of wanting to prove that I could make something that’s going to be really aggressive that I would want to play during an action sequence in a movie.”

    After that, she set out to make something that could soundtrack the trailer for a fictional crossover of The Godfather and Twilight. Add in a lot of kick drums, some cleverly buried samples of cheering crowds, and what Grimes calls a “scary, demon chorus” inspired by Harley Quinn, and you have “Kill V. Maim,” which she reveals is “probably my favorite song I’ve ever made.”
    rfmcdonald: (Default)
    I've just discovered the music of Canadian star Grimes, and I have just discovered Kelefa Sanneh's long-form article about her from The New Yorker. Sanneh does a great job at looking at the life, background, and influence of a musician who really is unclassifiable, in what I think are very good ways.

    It takes two hours and forty-five minutes to get from Los Angeles to San Diego by train, and a little longer than that if there is a mechanical delay, which on this day there was. Claire Boucher, curled up in a window seat on the train’s non-ocean-view side, didn’t seem to mind, or even notice. It was July, 2014, and, because she hates flying and doesn’t relish driving, she was heading, slowly, to Comic-Con, which attracts huge numbers of geeks, many of whom bring along their alter egos. Boucher’s alter ego is Grimes, the name under which, since 2009, she has been producing and singing home-brewed electronic music that is irreducibly weird but insistently pop, a term that describes both its sound and, increasingly, its reception. She fills tents at festivals, and this summer she toured with Lana Del Rey; her music videos have amassed tens of millions of views on YouTube. That weekend, CraveOnline, a media company aimed at young men, had hired Boucher—or, rather, Grimes—to be the celebrity d.j. at a party aboard the U.S.S. Midway, a decommissioned aircraft carrier moored in San Diego Bay.

    “Should my d.j. set be more chill?” Boucher wondered, not for the first time. (“Chill,” one of her favorite adjectives, can mean “mellow” or “good” or, most often, both.) “Or more dance?” She was thinking about songs, as she almost always is.

    The intensity of Boucher’s musical obsessions can make her seem like a mad pop scientist. On her bustling Tumblr page, she keeps track of her research into a cultural universe that seems, like its physical counterpart, to be expanding at an increasing rate. Her followers might encounter a snippet from the Japanese soundtrack composer Yoko Kanno, or a fan-made video set to the music of the electronic producer Aphex Twin, or a recent Selena Gomez single—which, Boucher has discovered, sounds particularly arresting in a car equipped with subwoofers. In her own songs, Boucher takes delight in rewriting the old music-industry story of the female performer in the spotlight and the male mastermind behind the curtain. “It’s like I’m Phil Spector, and then there’s Grimes, which is the girl group,” she says. She got her start in Montreal, part of an underground experimental-music scene, but now she herself is the experiment, as she tries to figure out what “pop star” means in 2015, and whether she might become one.

    For the moment, many of Boucher’s fans come from the world of indie rock, which has championed her as a new kind of pop auteur. One of her signature songs is “Oblivion,” an upbeat but ominous dance track; Boucher doesn’t sing it so much as haunt it. “Oblivion” never appeared on any Billboard chart, but last year Pitchfork, the definitive indie publication, called it the best song of the decade so far, which was a complicated sort of compliment. “Oblivion” was a great choice to top the Pitchfork list precisely because it was not an obvious choice.
    rfmcdonald: (Default)
    I am glad that, as reported in David Friend's Canadian Press article at the Toronto Star, there might be some kind of music retailer in Canada, at least for a time.

    Sunrise Records is placing a major bet on Canadian music sales with plans to move into 70 retail spaces being vacated by HMV Canada.

    The Ontario-based music retail chain has negotiated new leases with mall landlords across the country.

    Sunrise’s expansion gives the company a quick foothold in the Canadian music scene just as the industry’s largest retailer closes shop. Stores will begin to open this spring after HMV liquidates and removes its signs.

    “It’s a good opportunity for us to get a lot more stores open,” Sunrise Records president Doug Putman told The Canadian Press in an interview.

    “We think there needs to be a great outlet across Canada to buy music.”

    Profile

    rfmcdonald: (Default)rfmcdonald

    June 2017

    S M T W T F S
         1 2 3
    4 5 6 7 8 9 10
    11 12 13 14 15 1617
    1819 20 21 22 2324
    252627282930 

    Syndicate

    RSS Atom

    Style Credit

    Expand Cut Tags

    No cut tags
    Page generated Jun. 24th, 2017 08:42 am
    Powered by Dreamwidth Studios