Sep. 15th, 2011

rfmcdonald: (Default)
Astronomers continuing to go through the data on exoplanets collected by the Kepler space observatory have found yet another surprising exoplanet. This one is being compared to Star Wars's planet of Tatooine, for Kepler-16b is the first planet found (like Tatooine itself) to orbit two stars at once.

Kepler-16 A, B, and b


A fairly tight binary pair, the Extrasolar Planets Encyclopedia identifies star A as a relatively bright orange dwarf and star B as a dim red dwarf, the two separated by half the average distance of Mercury from our sun and sharing a 41-day orbit around a point of common gravity. Kepler-16b orbits this point. From the NASA perspective, this makes Kepler-16b almost the perfect exoplanet.

Astronomers further observed that the brightness of the system dipped even when the stars were not eclipsing one another, hinting at a third body. The additional dimming in brightness events, called the tertiary and quaternary eclipses, reappeared at irregular intervals of time, indicating the stars were in different positions in their orbit each time the third body passed. This showed the third body was circling, not just one, but both stars, in a wide circumbinary orbit.

The gravitational tug on the stars, measured by changes in their eclipse times, was a good indicator of the mass of the third body. Only a very slight gravitational pull was detected, one that only could be caused by a small mass. The findings are described in a new study published Friday, Sept. 16, in the journal Science.

"Most of what we know about the sizes of stars comes from such eclipsing binary systems, and most of what we know about the size of planets comes from transits," said Doyle, who also is the lead author and a Kepler participating scientist. "Kepler-16 combines the best of both worlds, with stellar eclipses and planetary transits in one system."

This discovery confirms that Kepler-16b is an inhospitable, cold world about the size of Saturn and thought to be made up of about half rock and half gas. The parent stars are smaller than our sun. One is 69 percent the mass of the sun and the other only 20 percent. Kepler-16b orbits around both stars every 229 days, similar to Venus’ 225-day orbit, but lies outside the system’s habitable zone, where liquid water could exist on the surface, because the stars are cooler than our sun.


The NASA press release later quotes reaction from Industrial Light & Magic, the business responsible for Star Wars' special effects.

The nearest close binary of Sun-like stars that--unlike Kepler-16--might support a fully Earth-like world is Delta Trianguli, some 35.4 light years away. Turning back to the Kepler-16 system and its own potential for life, a Saturn-sized world might plausibly support a Titan-sized moon that could support a prebiotic chemistry, but that's absurdly speculative. (Wait a decade?)
rfmcdonald: (Default)
I've found myself contrasting two songs by Mylène Farmer, her 1991 international hit "Désenchantée" and her smaller (but still #1 in France) "Dégénération"

"Désenchantée", video and song both as I wrote some years ago, is a song that became a huge hit because it connect with the zeitgeist: the world was changing, war was about, the future seemed grim. The lyrics deal with this confusion from the beginning.



Nager dans les eaux troubles
Des lendemains
Attendre ici la fin
Flotter dans l’air trop lourd
Du presque rien
A qui tendre la main?

Swimming in troubled waters
Of my tomorrows
Waiting here for the end
Floating in the air too full
Of almost nothing
Who do I give my hand to?


The video's solution, of revolt against the oppressive circumstances and boldly venturing into an uncertain future, is probably the best answer you can come up with for a disenchanted generation ("génération désenchantée", as she sang in the chorus).

"Dégénération", now, does things differently. In some ways, the song is a reply to "Désenchantée" with its chorus asking "Where is my generation?"

Ou où est où
Ou est où
Dégénération
Ou ou est ou
Ou est où est
Ma génération


Degeneration - Mylene Farmer from Exhibicion on Vimeo.



The entertainingly stuttering techno song itself doesn't come to a solution, an articulation. Apparently when it was first released listeners thought it was some sort of remix, the sort that did away with most of a song's lyrics. "Dégénération" lacks any kind of narrative, any kind of internal development apart from a desperate desire for escape.

J'sais pas moi mais faut qu'ca bouge
J'sais pas moi mais faut qu'ca bouge
Suis coma la mais il faut qu'ca bouge
J'sais pas moi mais faut qu'ca bouge

I'm in my bed, my bed has to get out of the way
I don't know myself, I have to get out of the way
I'm in a coma there but it has to get out of the way
I don't know myself, but I have get out of the way, I have to get out of the way


The science fiction scenario that's the video, featuring the singer playing a demigod who's able to reduce the scientists studying her and the soldiers guarding her into flesh puppets, can't be said to offer an inspiring vision.

I wonder. Is this pure artistic artifice, or does this speak to a change in mentalities between 1991 and 2008, to an abandonment of the possibilities of change and progress and resignation?
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