My attention this week was caught by Jason Parham's
article at Wired about the new
Troye Sivan single, "Lucky Strike", and its associated video.
Not to make this about politics or walls or borders or displacement, but Australian pop balladeer Troye Sivan’s “Lucky Strike” is all about politics and walls and borders and displacement. More specifically, it is about the negation of those thorny, unkind configurations. At first blush, the song is a cool, coy slowburner with pure intentions. “I wanna tiptoe through your bliss, get lost the more I find you,” Sivian coos over producer Alex Hope’s garden of ambrosial synths. Later on the chorus, he implores: “Tell me all the ways to love you.”
“Lucky Strike” is about queer desire, sure, about the feeling of summertime infatuation; in its just-released video, Sivan’s pursuit of another man unfolds during a day at the beach. But much of the song is about the unsaid, about the power and refuge we find in another person. The song, then, becomes something much more: a paean to a world that doesn’t just unite us across cultural and bodily borders, but whose lifesource depends on that exchange.Making this song about politics, mind, I remain somewhat amazed by the extent to which Troye Sivan is not only an out celebrity but viable as said. As I write this, the "Lucky Strike" video just one week old has 2,355,700 views. He scores multiple international hits on the pop and dance charts--Sivan is not a one-hit wonder--and he has successful international tours, and his star shows no sign of fading. Sivan's career is hugely political, all the more so because he does not have to be. He can just be in a way that other artists, other people, in the LGBTQ community have until recently not been able to enjoy.