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[personal profile] rfmcdonald
Seen on my blogroll, science fiction writer Charlie Stross argues that dystopian young adult fiction is so popular because young adults in developed countries are plausibly expecting dystopia in their own futures.

So: low or stagnant income, the services my generation depended on and took for granted will no longer exist or be private monopolies, you either take on a crushing debt burden or consign yourself to unskilled labour for life, the cost of housing is an unsuperable barrier. To that you can add childcare costs: it's estimated that the cost of day care for one infant is around 70-80% of the average female wage. One ray of hope for Generation Y is rising life expectancy—but by the same token the retirement age is rising, because there's no way that working for 40 years can cover the costs of education and housing debt and a pension or annuity that will support you for another 25-30 years. Generation Y will probably work until they become too infirm, some time in their late 70s to early 80s, then experience the final 3-5 year period of decline in poor health and poverty if this goes on (because of course we're talking about the state of the nation between 2060 and 2080).

If you follow this blog you already know my views on how we have created a security panopticon surveillance state the like of which would have given the East German Stasi wet dreams. Generation Y have come of age in this state; to the Millennial generation, East Germany probably looks like a near-utopia. (You have a 90% chance of your phone conversations not being bugged, and the state will pay for your education, housing, and healthcare! What's not to like?)

There has been a boom market in dystopian young adult fiction over the past decade. There is a reason for this. Play and recreation is an important training mechanism in young mammals by which they practice or rehearse activities that will fit them for later adult life experiences. (It's also fun, but bear with me while I discuss the more ploddingly puritan angle for a moment.) Could it be that the popularity of YA dystopias reflects the fact that our youngest generation of readers expect to live out their lives in dystopia? (The alternative explanations hold that (a) high school in the age of helicopter parenting, fingerprint readers in the library, and CCTV in the corridors is an authoritarian dystopia anyway, and YA dys-fic helps kids understand their environment; and (b) that worse, their parents (who influence their reading) think this.)


What is to be done? There's some discussion in the comments about potential individual and societal strategies, for what it's worth.
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