rfmcdonald | [LINK] "The Homosexual in America" (Reply)

The English Eclectic's Paul Halsall recently pointed to an article taken from Time in 1966, a piece representing the state of opinion in the States at this time. They're coming out, see. They're even influencing Rock Hudson!

Homosexuality is more in evidence in the U.S. than ever before—as an almost inevitable subject matter in fiction, a considerable influence in the arts, a highly visible presence in the cities, from nighttime sidewalks to the most "in" parties. The latest Rock Hudson movie explicitly jokes about it, Doubleday Book Shops run smirking ads for The Gay Cookbook, and newsstands make room for "beefcake" magazines of male nudes. Whether the number of homosexuals has actually increased is hard to say. In 1948, Sexologist Alfred Kinsey published figures that homosexuals found cheering. He estimated that 4% of American white males are exclusively homosexual and that about two in five had "at least some" homosexual experience after puberty. Given Kinsey's naive sampling methods, the figures were almost certainly wrong. But chances are that growing permissiveness about homosexuality and a hedonistic attitude toward all sex have helped "convert" many people who might have repressed their inclinations in another time or place.

Homosexuals are present in every walk of life, on any social level, often anxiously camouflaged; the camouflage will sometimes even include a wife and children, and psychoanalysts are busy treating wives who have suddenly discovered a husband's homosexuality. But increasingly, deviates are out in the open, particularly in fashion and the arts. Women and homosexual men work together designing, marketing, retailing, and wrapping it all up in the fashion magazines. The interior decorator and the stockbroker's wife conspire over curtains. And the symbiosis is not limited to working hours. For many a woman with a busy or absent husband, the presentable homosexual is in demand as an escort —witty, pretty, catty, and no problem to keep at arm's length. Rich dowagers often have a permanent traveling court of charming international types who exert influence over what pictures and houses their patronesses buy, what decorators they use, and where they spend which season.

The article is sympathetic, in that psychiatrists are able to successfully treat a growing number of heterosexuals and the article supports the criminalization of gay sex as a way to help guide people to the treatment that they so desperately need. It's not inasmuch as, well, see below.

There is no denying the considerable talent of a great many homosexuals, and ideally, talent alone is what should count. But the great artists so often cited as evidence of the homosexual's creativity—the Leonardos and Michelangelos —are probably the exceptions of genius. For the most part, thinks Los Angeles Psychiatrist Edward Stainbrook, homosexuals are failed artists, and their special creative gift a myth. No less an authority than Somerset Maugham felt that the homosexual, "however subtly he sees life, cannot see it whole," and lacks "the deep seriousness over certain things that normal men take seriously ... He has small power of invention, but a wonderful gift for delightful embroidery. He has vitality, brilliance, but seldom strength."

Homosexual ethics and esthetics are staging a vengeful, derisive counterattack on what deviates call the "straight" world. This is evident in "pop," which insists on reducing art to the trivial, and in the "camp" movement, which pretends that the ugly and banal are fun. It is evident among writers, who used to disguise homosexual stories in heterosexual dress but now delight in explicit descriptions of male intercourse and orgiastic nightmares. It is evident in the theater, with many a play dedicated to the degradation of women and the derision of normal sex. The most sophisticated theatrical joke is now built around a homosexual situation; shock comes not from sex but from perversion. Attacks on women or society in general are neither new in U.S. writing nor necessarily homosexual, but they do offer a special opportunity for a consciously or unconsciously homosexual outlook. They represent a kind of inverted romance, since homosexual situations as such can never be made romantic for normal audiences.

Ah, the cosmopolitan.

Of course, things were entirely different in contemporary Canada. Really.