[LINK] "The patterns of place"

[rfmcdonald]

This Emergent Urbanism post on Brooklyn should get some interesting, informative reactions from my readership, I bet. I like what Mathieu Helie has to say about the overlapping, even dialogical, nature of urban development. (Is Brooklyn dominated by "Americanized Dutch" architecture?)

A city’s identity is made by the patterns selected by the people who built them. We can also say that these patterns are the fossil record of the people who inhabited a place. We can read the history, the culture and the sustainability of a place by the combination of its patterns. A building is a hierarchical computation of different processes nested within each other, and these processes can be substituted for others depending on what conditions are encountered.

At the largest scale of patterns there is the building program, whether a house, a church, an office, easily recognizable in any cultural setting. These programs are realized using construction techniques that are conditioned on economic constraints. The Dutch who settled New York City brought with them their basic house program, but these had to adapt to the resources available by, for example, building in brownstone, an economic pattern. Despite this difference they kept features of their homes like stoops, patterns that were at first environmental but then became cultural.

As each successive culture either migrates to or emerges in the city, it needs to adapt the patterns of its buildings to fit its own practices. Fractals like these become habitual

This is Chinatown in Brooklyn. We can tell it is Brooklyn because the basic patterns, program and materials, are Americanized Dutch. We can tell it is Chinatown because of the use of vertical commercial signs which are characteristic of oriental cultures (their writing being read top-to-bottom instead of left-to-right). The large-scale patterns are extended by smaller-scale patterns to form a full building fractal that is Dutch, American, New York and Chinese. This combination of pattern is the identity of Brooklyn, the people who have lived there and continue to live there.

One particular culture that has often been denounced as an anti-culture is the global corporation. Their aesthetic program has been to impose their corporate identity uniformly on communities, regardless of any consideration for local economic, environmental, or cultural factors. But there have been exceptions, such as the following case, where the corporation decided to extend the patterns of the neighborhood instead of imposing its own.

This Dunkin’ Donuts nested itself seamlessly in an old Dutch building next to a Chinese restaurant, and even improved upon it a bit with orange awnings that preserve the structure of the windows while announcing the presence of this corporate neighbor to everyone on the street. As well as being a demonstration of Dunkin’s neighborliness, it is also a demonstration of the sustainability of the neighborhood. The buildings are resilient, and despite the Dutch builders never anticipating that there could ever exist such a thing as a Dunkin’ Donuts, their patterns have been slightly adapted to fit today’s needs. Some day Dunkin’ Donuts will also be history. In its place will be some other culture which may or may not preserve traces of Dunkin’s presence, but the building itself will remain and serve a new purpose.

Go, read it all.