Jake Shears apparently wanted "Invisible Light," the final track of twelve off of the Scissor Sisters' most recent album
Night Work, to be the album's first single instead of "Fire With Fire." I can see why he might have wanted that--"Invisible Light" is a fantastic song, a Stuart Price production, too, and a good end to the album's theme of sexual exploration--but I don't think it would have been a good single, or at least a single representative of the album. It's a much more focused and tense song than the band's typical hits, Jake Shears foregoing his falsetto for lower-pitched singing/speaking interpersed with Ana Matronic's chorus and an Ian McKellen guest vocal, lacking much by way of guitars and sounding almost completely synthesized, vaguely menacing in tone even.
The song's all about lust, the "invisible light" the gaze that binds one person to another.
At the doors of Babylon, You are my Zion,
Pacing Tiger, The keeper's cage,
Invisible light shoots from your eyes,
A sign I can see from my high rise,
Another castle crumbles, another monkey falls,
Just open up your joy and let the sailors climb the walls,
I thought I saw you laughing 10 feet in the air,
It doesn't matter if they touch you where because you can give me...
As McKellen confirms in his best theatrical/dramatic style, there's an edge of desperation and an air of energy to it all.
Babylon,
Where bricks of mortared diamonds tower,
Sailor's lust and swagger lazing in moon's beams,
Whose laser gaze penetrates this sparkling theater of excess and strobed lights,
Painted whores, sexual gladiators, fiercely old party children,
All wake from their slumber to debut the Bacchanal.
Come to the light! Into the light! The invisible light.
And then, complicating the song even more is the video Barcelona-based directing collective
Canadaa. The safe version is here; the uncut version, featuring female nudity and more besides, is the one I'm including here.
The Scissor Sisters are a queer band. This video is queer, too, though queer in the sense of a Shirley Jackson short styory or even something more restrained by Lovecraft, a nightmarish dream sequence filmed with the retro affect of a drama from the 1970s and taking the well-dressed protagonist past any number of threats: an over-perfect home, uncaged dogs, cultists, stigmata, her own funeral. Besides being very compelling and provocative viewing, the video brings out the song's theme of danger just that much more.
Bravo, gentlepeople! This song has good claim to be my favourite song of the year.