![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
rfmcdonaldPosters like this one have been appearing around Toronto, it seems.
What are they about? blogTO's Derek Flack did some detective work and came up with a plausible suggestion.
A commenter says that this theory is incorrect, but against the evidence provided--not only what Flack mentions, but the similarity between the man sketched and the photography included in the obituary--I'd say that Flack's hypothesis is likely to be the right one. Death be not proud.
What are they about? blogTO's Derek Flack did some detective work and came up with a plausible suggestion.
Having heard a variety of ideas thrown about, I asked my go-to source for all things street-art related, Scott Snider. Although he had already seen and photographed one of the posters, he too was unsure of the exact story of their origin. But one of the comments on his Flickr stream (from Sally Hunter) did offer a theory that I've come to think is quite probable, particularly insofar as I've now heard it offered by more than one person.
The speculation is that the man depicted on the posters is Andrew Mackenzie Hull, a 46-year-old Oshawa-born filmmaker who died tragically in a cycling accident earlier this year. According to his obituary in the Globe and Mail, Hull was a long-time companion of Shaan Syed, a Toronto-born artist who now resides in London.
Among Syed's many works over the years, one series in particular prefigures the Andrew posters. Completed way back in 2001, the artist describes the the Jane Project as follows: "A small banal sketch of a friend, Jane, was taken from my sketchbook, blown up to life size, and hand-printed 1000 times as a poster that was plastered throughout the downtown core of Toronto."
The style of the Jane posters and the manner in which the subject's name is handwritten at the bottom of the portrait offer pretty compelling evidence to suggest the Andrew posters are the work of the same artist. And should this indeed be the case, these posters are in fact a mournful and chilling tribute to a lost loved one.
A commenter says that this theory is incorrect, but against the evidence provided--not only what Flack mentions, but the similarity between the man sketched and the photography included in the obituary--I'd say that Flack's hypothesis is likely to be the right one. Death be not proud.
