Back on the night of the 4th of October, I joined thousands of Torontonians in wandering the streets late at night, looking at some of the works of art put out for public display in the all-night art festival of Nuit Blanche. One of the works I found most evocative was an installation mounted by Montréal-based artist Maria Ezcurra, draped on an alleyway on Spadina Alley in Toronto's oldest oldest Chinatown. The installation's title? Made in China.



The installation is composed of clothes labeled “Made in China,” donated by the community and set in a Chinatown alleyway. This collaborative piece functions as a façade filling an empty space between two buildings, creating in this way both a physical and a symbolic connection among cultures.
The work is about connections between Eastern and Western societies, between old customs and current trends, between globalization and tradition. It is about how we see and understand ourselves from other views, and vice versa. But mostly, it is about trying to build a bridge in which we are all represented, as a society as much as individuals.
Made in China is an anthropology of our shared present. Clothing in this project is perceived as an effective artistic medium for knowing and learning in new ways about ourselves in relation to others, thus symbolically connecting individual knowledge with culturally produced ideas.
