Science-fiction author David Mack, known especially to readers of Star Trek novels, posted yesterday on his blog an excellent extended analysis of the story of Mad Max: Fury Road. He makes the argument that this film is exceptional, not only for the character of Imperator Furiosa, but for the way it builds its story.
Excellent stuff. I really must go see this one myself.
mperator Furiosa towers above most other action-movie heroes because her character and the story of Fury Road subvert a longstanding, worn-out Hollywood action-movie paradigm—but not the one you might think. The real genius of Fury Road isn’t that its hero is a woman. It’s that the hero is the one actually driving the story in the first place.
Furiosa’s prominence in the movie has been making some “men’s rights activists” (MRAs) apoplectic, leading them to complain the Mad Max franchise was hijacked for a feminist agenda, that they were tricked by cool explosions and a freak with a flame-throwing electric guitar into watching a feminist manifesto in which Max has been emasculated. They’re at least partly wrong.
A key factor in what’s perplexing the MRAs is that Imperator Furiosa is the protagonist and hero of Fury Road, but here’s the catch: she is not the movie’s main character. Max Rockatansky (played by Tom Hardy) is not a sidekick in Fury Road, contrary to this post by Rob Bricken on io9. Max is undeniably Fury Road’s main character, its point-of-view character. He is the only character to whose inner life we are privy; he is our narrator. That said, it is true he is neither the protagonist nor the hero of Fury Road, but these aren’t bad things. They aren’t even uncommon in movies.
Excellent stuff. I really must go see this one myself.