Quartz' Vivienne Chow reports on the demographic dynamics behind the Hong Kong independence movement.
When Edward Leung and Chan Ho-tin, the de facto leaders of the nascent Hong Kong independence movement, led thousands of protesters in a rally outside the government headquarters last Friday night (Aug. 5), it was about more than just the government’s attempt to bar them from running in elections in September. It was a symbolic gesture of one generation’s determination to revolt against the society’s so-called “old seafood” establishment, a defining moment for a city that desperately needs to find a new cultural identity.
“Old seafood” refers to the Cantonese phrase “lo see fut.” “Lo” is the sound of the Cantonese word for old, while “see fut” resembles the sound of asshole. It is common Hong Kong slang, used to refer to the “old butts” occupying top positions in society and refusing to cede their privileges.
Sampson Wong, an artist and liberal arts lecturer at the Hong Kong Academy for Performing arts, said the old seafood class feel a sense of entitlement because “they turned Hong Kong into a wonderful metropolis within two decades and made the Hong Kong miracle possible.”
“They probably have the tendency to feel that they should be in charge of the city, and that they are more capable than the younger generations,” he said. Wong’s art project “Countdown Machine” was removed from the city’s tallest skyscraper after he and partner Jason Lam revealed the installation was a clock counting down to 2047—the expiry date of the “50 years unchanged” promise that Beijing made to Hong Kong after the 1997 handover.
Whether its members identify as being pro-democracy or pro-Beijing, being part of the old seafood class is more about mindset than political stance. They can be anyone, ranging from mid-level management to the top leaders of companies, organizations, or political parties. They have demographics on their side—Hong Kong’s low birth rates and large elderly population mean that nearly half the city’s residents will be over 65 by 2041. And they continue to monopolize the discourse of Hong Kong’s cultural identity and values almost 20 years after the handover to China.