Savage Minds features an essay by Yarimar Bonilla that takes a look at th interesting question of how to write texts of enduring relevance at speed.
In a recent contribution to this writers’ series, Michael Lambek offered some reflections on the virtues of “slow reading.” In an era of rapid-fire online communication, when images increasingly substitute for text, Lambek argues we would be well served to revel in the quiet interiority and reflective subjectivity made possible by long-form reading.
In this post I would like to think more carefully about this claim and to consider whether we might want to make a similar argument regarding the shifting pace of academic writing. If, as Lambek and others suggest, the temporality of reading has been altered by the digital age, can the same be said for research and writing? How have new digital tools, platforms, and shifts in technological access transformed the temporality of ethnographic writing, and is this something we necessarily wish to slow down?
I recently had occasion to experiment with sped-up academic pacing when offered the opportunity to contribute a piece to American Ethnologist about the protests surrounding the killing of Michael Brown in Ferguson, Missouri. In brainstorming our article, my co-author Jonathan Rosa and I asked ourselves hard questions about what we could contribute to the unfolding discussion about Ferguson. Both of us had produced academic “slow writing”— the product of years of careful research, analysis, drafting and editing. We had also engaged in some forms of “fast writing.” For example, I had published journalistic pieces on social movements in Puerto Rico and Guadeloupe. But these pieces focused on events not being covered in the mainstream media and for which informed journalism was necessary. The same could not be said of Ferguson. Despite an initial lag in journalistic coverage, by the time we were drafting our article, Ferguson had reached a point of media saturation, indeed it had become a challenge to keep apace with the numerous thought pieces and editorial columns emerging at a feverish pace during this time.
In plotting our article we thus asked ourselves: how can we contribute to this fast moving conversation while still producing a piece that might hold up over time? That is, how could we produce something fast but not ephemeral?
The result was an exercise in mid-tempo research and writing. It was not the product of long-sustained fieldwork, and was very much written “in the heat of the moment,” but it nonetheless tried to anticipate how anthropologists might look back on Ferguson over time—how they might use this event to teach and write about broader issues of racialization, longer histories of race-based violence, the racial politics of social media, and the shifting terrain of contemporary activism.
This process forced us to think about the challenges of being not just fast writers but fast ethnographers. How can we speak to fast moving stories while still retaining the contextualization, historical perspective, and attention to individual experiences characteristic of a fieldworker? Also, how can we engage with emerging digital platforms like Twitter with the comparative and ethnographic perspective characteristic of our discipline?