- We've got 15 more notable Toronto-related songs that did not quite make the shortlist for the #toronto100, over at the Toronto Star.
- This article on a dad who has a Depeche Mode covers band with his children is adorable. VICE reports.
- What happened to Giampiero Riggio, Italy's answer to Bon Iver? Vice reports.
- This James Bareham article at The Verge about how, rediscovering his 2002-era iPoD, he reacquainted himself with his preferred music of the period, is very readable.
- Alan Cross writes at Global News about the idea of a thirteen-year cycle, in which pop alternates with rock. Are we up for a rock-heavy moment?
[BLOG] Some Saturday links
Feb. 25th, 2017 11:14 am- Centauri Dreams looks at the SPECULOOS red dwarf observation program.
- The Crux examines VX nerve agent, the chemical apparently used to assassinate the half-brother of North Korea's ruler.
- Dangerous Minds shares photos of the inhabitants of the Tokyo night, like gangsters and prostitutes and drag queens.
- Lawyers, Guns and Money examines Donald Trump's tepid and belated denunciation of anti-Semitism.
- Language Log looks at the story of the Wenzhounese, a Chinese group notable for its diaspora in Italy.
- The LRB Blog looks at the by-elections in the British ridings of Stoke and Copeland and notes the problems of labour.
- The Map Room Blog shares a post-Brexit map of the European Union with an independent Scotland.
- Marginal Revolution reports that a border tax would be a poor idea for the United States and Mexico.
- The NYRB Daily looks at the art of the medieval Tibetan kingdom of Guge.
- Otto Pohl notes the 73rd anniversary of Stalin's deportation of the Chechens and the Ingush.
- Supernova Condensate points out that Venus is actually the most Earth-like planet we know of. Why do we not explore it more?
- Towleroad notes Depeche Mode's denunciation of the alt-right and Richard Spencer.
- Whatever's John Scalzi considers the question of feeling empathy for horrible people.
- Window on Eurasia notes the thousands of Russian citizens involved with ISIS and examines the militarization of Kaliningrad.
Right now, my favourite remixer is Jacques Lu Cont, one of the brand names of British producer Stuart Price. Price has consistently done a fantastic job of taking songs by any number of musicians--Coldplay and Madonna and Gwen Stefani and the Killers and Depeche Mode--and remixing them superbly, throwing in fantastic 80s-style synthpop while remaining true to the song. He has even made me like Coldplay. The YouTube video for the Thin White Duke remix of "Vida la Vida" is below.
This YouTube playlist includes 33 videos of songs he's remixed. It makes wonderful music to write to.
Even though I've been personally familiar with the remix since 2000, when I began downloading Eurythmics and Garbage remixes by the gigabyte, it's only since the advent of YouTube, with its fan remixes and official remixes put to one official video or a fan video or just a simple graphic, that I've really begun to hear a huge number of remixes of songs by any number of groups. I like this, not only on its own terms (so much new music!) but because it lends new scope for creativity, allowing different people who might otherwise have experimented and not seen their experiments propagate very far to achieve a global audience. The remix is perfect for our late modern era, really, the product of a bricolage culture that certainly seems likely to continue. The two meet, and combine, to produce an era that I like quite a lot.
bricolage culture
This YouTube playlist includes 33 videos of songs he's remixed. It makes wonderful music to write to.
Even though I've been personally familiar with the remix since 2000, when I began downloading Eurythmics and Garbage remixes by the gigabyte, it's only since the advent of YouTube, with its fan remixes and official remixes put to one official video or a fan video or just a simple graphic, that I've really begun to hear a huge number of remixes of songs by any number of groups. I like this, not only on its own terms (so much new music!) but because it lends new scope for creativity, allowing different people who might otherwise have experimented and not seen their experiments propagate very far to achieve a global audience. The remix is perfect for our late modern era, really, the product of a bricolage culture that certainly seems likely to continue. The two meet, and combine, to produce an era that I like quite a lot.
bricolage culture
[MUSIC] Depeche Mode, "Enjoy the Silence"
Jan. 14th, 2009 02:41 pm"Enjoy the Silence", the second single off of Depcehe Mode's 1990 album Violator, is one of my all-time favourite songs, evocatively haunting between Dave Gahan's heartfelt vocals and the gloriously chunky synths and the romantic lyrics ("All I ever wanted/All I ever needed/Is here in my arms/Words are very unnecessary/They can only do harm"). The striking Anton Corbijn music video doesn't hurt, either.
Another music video of this song is a lip-sync performance, filmed for French television, on top of one of the World Trade Center towers.
The Towers' destruction lends the video an extra poignancy, for me at least.
Another music video of this song is a lip-sync performance, filmed for French television, on top of one of the World Trade Center towers.
The Towers' destruction lends the video an extra poignancy, for me at least.
Again idly surfing YouTube this Tuesday just past, I decided to look for some Depeche Mode to play in the background. Their 1990 international hit single "Enjoy the Silence" appealed to me particularly, and so I looked and found the below video.
This video, shot at the filmed at the Top of the World observatory on top of the South Tower, was apparently created in 1990 for French television.
I look at the video and wonder at the almost unbelievably low railings and the immense heights that erase entire neighbourhoods.
This video, shot at the filmed at the Top of the World observatory on top of the South Tower, was apparently created in 1990 for French television.
I look at the video and wonder at the almost unbelievably low railings and the immense heights that erase entire neighbourhoods.