[REVIEW] Saved!
Sep. 7th, 2006 11:58 am2004's Saved! is a film satire of the environment of a Christian high school as experienced by student Mary (Jena Malone), who finds herself an outcast after she becomes pregnant through a failed attempt to convert her gay boyfriend back to heterosexuality. (Visions are convincing, it seems.) Mary's struggles to build a new life for herself, outside f blind faith and with her new friends among the school's outcasts, were quite funny besides being authentically moving. Mandy Moore does an excellent job portraying her character of Hilary Faye, an enjoyably intense and conflicted character who tries to reconcile her position as the American Eagle Christian School's queen bee with her faith ("I am filled with Christ love!", she screams as she throws a Bible at Mary's back). It's always a joy to see Mary-Louise Parker in any role, here as Mary's mother. All said, this film worked for me.
That's not to say that this film left me a bit uneasy. Perhaps it's because both the conservative orthodoxy and its liberal critiques reminded me of the contentions of Asia Times' Spengler (1, 2, 3) that American Christianity was degenerating into mawkish sentiment without structure. Perhaps it's because I'm not personally familiar with American Christian subcultures and can't claim personal knowledge of the environments and personalities that this film describes, or because I'm not sure that the shots that Saved! takes are that fair. It might even be that Saved!'s subplot, of the romance of Mary's friends Roland, Hilary's wheelchair-bound cynical brother, and Jewish juvenile delinquent Cassandra might have made for a more interesting A plot than Mary's pregnancy. These are all serious caveats, none of them serious enough to keep me from recommending the film, granted, but all issues that viewers will have lurking in the backs of their minds.
That's not to say that this film left me a bit uneasy. Perhaps it's because both the conservative orthodoxy and its liberal critiques reminded me of the contentions of Asia Times' Spengler (1, 2, 3) that American Christianity was degenerating into mawkish sentiment without structure. Perhaps it's because I'm not personally familiar with American Christian subcultures and can't claim personal knowledge of the environments and personalities that this film describes, or because I'm not sure that the shots that Saved! takes are that fair. It might even be that Saved!'s subplot, of the romance of Mary's friends Roland, Hilary's wheelchair-bound cynical brother, and Jewish juvenile delinquent Cassandra might have made for a more interesting A plot than Mary's pregnancy. These are all serious caveats, none of them serious enough to keep me from recommending the film, granted, but all issues that viewers will have lurking in the backs of their minds.