I was decidedly impressed by
Night Watch last night. It's a standard sort of supernatural film, involving a long-standing civil war fought between the supernatural Others, beings like vampires and shapechangers who can access the parallel dimension known as the Gloom, all needing training in communities. Two rival communities, Light and Dark, co-exist under a shaky truce, both sides preparing for an apocalypse to be brought about by a new Other who--alas, as is the Others' want--will opt to surrender to the Dark rather than nurture the Light inside. The central character is one Anton Gorodetsky, a young man who first becomes aware of his status as an Other--a seer--in 1992 after he hires the service of a Dark Other who promised to break his estranged wife's affair and abort her child. Twelve years later he's in the service of Light, glumly tracking down creatures of the Dark who try to break the truce by preying on Muscovites without permission. It's at this stage that he meets one boy and one woman, each critical in their own way for what's coming.
If the above capsule sounds clichéd, that's because it is. There's only so many times that a battle fought between ancient competiting coalitions of good and evil can manifest itself on the streets of a modern metropolis. The genius of
Night Watch lies in its synthesis of this plot line with the globalized and capitalist present of post-Communist Moscow. Though I was almost certainly missing a slew of cultural reference points, I could get enough things--the inclusion of dubbed scenes from the Season 5
Buffy the Vampire Slayer episode
"Buffy vs. Dracula", the bullying policeman who harassed the grey-looking Gorodetsky, the smiling vapid Europop singer who takes a break from her concert to become the cruel tormentor of a starving novice vampire with a Mason jar of blood held just out of reach, the anonymity of the crowded Metro--to enjoy the film. The brilliant cinematography also helped quite a bit, drawing tropes from music videos and
The Matrix at whim.
Night Watch deserved to be the most popular film in Russia in 2004. Me, I'll be mildly unhappy with the wait for the upcoming sequels.